Hofukuji Temple and the Statue of Nichiren 法福寺と日蓮像

On November 24, 1271, Nichiren arrived in Teradomari to board a ship to Sado. Strong winds delayed his departure, however, forcing him to remain in Teradomari for seven days as a guest of the wealthy Ishikawa family. During this period, he composed letters to his disciples before moving on to Sado.

Letter from Teradomari

One particular letter, which eventually became known simply as the “Letter from Teradomari,” was addressed to Nichiren’s loyal follower Toki Jonin (1216–1299). In the letter, Nichiren reassured his followers of the righteousness of the Lotus Sutra and cited multiple sutras to refute arguments against his teachings. He also compared his own persecution to that suffered by the historical Buddha and declared he had no regrets despite the hardships to come. As instructed by Nichiren, Toki Jonin shared the contents of the letter among Nichiren’s followers, which served as a great comfort and source of encouragement to them during his exile.

The Founder’s Hall and the Former Site of the Ishikawa Residence

In 1706, though the residence where Nichiren had stayed in the thirteenth century was no longer standing, the Ishikawa family donated the land to nearby Hofukuji Temple. Hofukuji then erected a Soshido (Founder’s Hall) on the property to honor its connection to Nichiren as the point of his crossing to Sado Island. The doors of the small wooden hall are usually closed, but visitors may enter freely. Inside is a scroll painting of Nichiren’s sea crossing, a copy of the Letter from Teradomari, and a golden altar that houses a statue of Nichiren.

On the other side of the road that cuts through the property is a simple ground well. Nichiren is said to have used its water to wet his inkstone when he wrote the Letter from Teradomari. The well is protected now by a simple wooden structure topped with roof tiles decorated with the Nichiren school crest: a tachibana citrus tree surrounded by a well curb. A large statue of Nichiren was erected beside the well in 1964. The dynamic pose captures the priest with his arms outstretched and sleeves billowing in the wind, his gaze directed toward Sado Island.