Oki Jinja Shrine and the Grave of Emperor Go-Toba 隠岐神社と後鳥羽天皇の墓

Go-Toba spent the last 18 years of his life in a modest residence just north of the shrine, accessible to visitors along a short path from the main shrine complex. The path curves to the west and continues to Go-Toba’s gravesite. After the retired emperor’s death, his cremated remains were divided: half were carried back to Kyoto for an imperial burial, while the remainder was entombed on Nakanoshima, surrounded by several gates and a stone wall. The torii gate was added when Oki Jinja Shrine was built, but the rest of the stonework is unchanged. The Murakami family, who acted as Go-Toba’s guardians and caretakers during his exile, were stoneworkers by trade and have maintained the tomb structures for 45 generations.

Oki Shrine itself was founded on the 700th anniversary of Go-Toba’s death. The shrine crest, known as the kikufusen, is based upon Go-Toba’s own five-chrysanthemum crest. Because of his poetic legacy, the shrine grounds have many placards and monuments inscribed with tanka, a genre of traditional Japanese poetry written in 31 syllables. Distinguished poets such as Katō Shūson (1905–1993) and Reizei Kimiko (b. 1947) have visited to pay their respects, and the shrine has hosted several poetry competitions.

To the left of the main sanctuary is a storehouse displaying two mikoshi, portable shrines that are used during festivals. The one on the left dates to the shrine’s founding, and the one on the right was built during the Edo period (1603–1867). The other items contained inside are used during the festival parade, held every five years on April 14 and October 14.

Across the road to the northwest of the shrine lies the Emperor Go-Toba Museum, which preserves artifacts from Go-Toba’s years on the island. Exhibits include a bronze tea set that was used only once—at the retired emperor’s welcoming celebration. A compilation of poetry that Go-Toba composed while on the island is also housed in the museum, along with records of the scores and critiques he awarded at poetry competitions. Go-Toba’s will is also displayed, as are many Japanese swords dating from the Edo period onward. These are donations from various swordsmiths in recognition of Go-Toba’s contributions to their craft.